  2020年1月17日，来自南美洲安第斯山脉的古老文明“安第斯文明特展——探寻印加帝国的起源”开幕式在天津博物馆成功举办。秘鲁国家中央银行博物馆馆长里奥弗里奥·弗洛雷斯女士作为秘方代表发言。想知道馆长都说了什么内容吗？想知道破解安第斯展览的“密码”吗？奉上里奥弗里奥·弗洛雷斯馆长发言稿全文。
奥弗里奥·弗洛雷斯女士 Openning ceremony- Pilar's Speech Good evening Mr. Chen, director of the Tianjin Museum, Mr. Zhao, president of the Shanghai Youxiang Art Exhibition and Exchange Development Company, Mr. Quesada, ambassador of Peru in China, and members of the Tianjin community. 天津博物馆陈馆长，上海优想文化传播有限公司的赵鸥先生，秘鲁驻华大使馆的克萨达大使先生，以及所有天津博物馆的同仁们，大家晚上好。 It is an honor for me to be here in the city of Tianjin in representation of the Museum of the Central Bank of Reserve of Peru. I am delighted to witness the great work you've done in showcasing the art of ancient Peru. 我非常荣幸能够代表秘鲁中央银行博物馆来到天津与大家相识，我也非常开心看到各位如此精心地展示秘鲁古文化的文物。 First of all, I would like to begin by thanking you for making the "Ancient civilization on the Andes: illuminating the origins of the Inca Empire" exhibition posible. This was a millenary civilization that is still nowadays is teaching us many lessons on how to better understand and sustain our Andean Territory. 首先，我想要感谢各位为《安第斯文明：探寻印加帝国的起源》展览所做出的努力。这是一个拥有千年历程的文化，而如今仍然能够让我们从中学习到应该如何更好地理解以及守卫我们的安第斯家园。 Mr. Isumi Shimada, the curator of this exhibition has made an admirable work in selecting art objects that tell the a very comprehensive story of 15 000 years of Peruvian history. Through this selection Mr. Shimada shows the cultural diversity and craftsmanship of different nations that even with their local differences and art styles, had shared a common world view. 此次展览总策划Isumi Shimada先生精心挑选了多件古老秘鲁的文物来向大家全面的讲述1万5千年的秘鲁历史。通过这些文物，Shimada先生让我们看到文化的多样性，其中既有不同区域间手工艺人们所表现出来的当地特色风格，也有大家共同所表现出的普遍世界观。 Ancient Peruvians had a cyclical world view, where no animated beings (as mountains or rivers) could transform into animated deities, and where the eldest of a community could transform into an oracle subject of cult. 古老秘鲁的世界观中很看重循环的概念，比如没有生命的物质（如山川河流等）可以转化为神性的方式存在, 而一个族群中的最长者可以转化为神谕对象而受到大众崇拜。 Now I would like to share some fundamental> First: these artifacts were made for ritual proposes. These are not objects for daily use, and most of them have been found in burial contexts. 因此我现在想向大家分享一些理解这些展品时所必备的理论： 首先，这些文物都是为宗教仪式而制作的。它们并不是日常用品，大多数都是在埋葬的环境中所发现的。 The second key concept is that these objects were made to transmit messages in order to complement oral stories, usually told during> 其次，一个关键的概念是，这些文物都被制作用来传递一些信息，是为了补充在宗教仪式上所讲述的故事。 And third: these objects were made to be hold and to be seen in 360 degrees. 第三，这些文物都是360度均可被观察的器物。 With these> 我欢迎大家带着我提供的这几点讯息来认真参观我们的展品。请大家充分想象这些文物参与了当时的仪式，它们就是神话或者传说当中的一部分。 In this comprehensive exhibition of Ancient Peruvian art you will also see quipus, an Andean accounting system; many musical instruments, dressing accessories, such as crowns, earrings, neckless, worn by priests and governors; weapons; textiles and objects that represent local flora and fauna. 在这个全面而古老的秘鲁艺术展览中，你将会看到安第斯用于记录的系统——吉氆；许多音乐乐器；被神职人员或政治领导者所穿戴的服装与配饰，如皇冠、耳环、项链等；以及武器、丝织物和代表动植物的器物。 Finally, I hope this exhibition opens your interest in visiting Peru to continue exploring our traditions. Some are still alive in art techniques and artisanal production, in our language, in oral stories and in festivities. 最后，我希望此次展览可以开启各位对秘鲁的兴趣，欢迎大家能够来到秘鲁进一步探究我们的传统。这些传统有很多依然留存在我们的艺术、技术、手工制品、以及语言、故事和节日当中。 Thank you so much for promoting the cultural legacy of Ancient Peru and its contribution to contemporary societies. Thank you for connecting the people of China with Perú. 非常感谢各位致力于弘扬秘鲁文化遗产的传播，以及弘扬秘鲁文化对现代社会的贡献。感谢你们将中秘两国的人民团结在一起。 Good evening. 祝大家有美好的夜晚！
图片：图像信息部 靳挺 编辑：媒体中心 刘颖 监制：党委副书记 张玲 |
